Where the Crawdads Sing is the kind of tedious moral fantasy that fuels America’s misguided idealism. It’s an attempt at a complex tale about rejection, difference and survival. But the film, like the novel it’s based on, skirts the issues — of race, gender and class — that would texture its narrative and strengthen its broad thesis, resulting in a story that says more about how whiteness operates in a society allergic to interdependence than it does about how communities fail young people. Directed by Olivia Newman ( First Match ), the film adaptation of Delia Owens’ popular and controversial novel of the same name tells the remarkable tale of a shy, reclusive girl raised in the marshes of North Carolina who finds herself embroiled in a grisly police investigation. Her name is Kya ( Daisy Edgar-Jones of Normal People , Fresh and Under the Banner of Heaven ), but to those in the neighboring town, whose residents abhor her, she is known simply as “Marsh Girl.” The account of her
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